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We did a couple of shows without them and they came off well and it was fine. How do you plan to build on that this year?
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Last year, the absence of a host turned out to be an asset rather than a liability. Anybody who can be here is going to be here. So who is going to be in the building and who is not going to be in the building? Everyone who is presenting and nominated has to be there, is that correct?
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Along with all the TV and all the filmmaking, and all the storytelling, the whole other end, with all of the protocols, was of utmost importance. So, the creation of this and everybody you’re going to see next Sunday is the outcome of a whole lot of planning, from both a storytelling and visual perspective, but also from a behind-the-scenes safety perspective that you’ll never see or know.
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And we had to put first and foremost, into our thinking and our planning, safety, and what kind of environment can we create that allows us to message the way we want to but not feel like anybody is at any kind of risk. We had a thought of what we wanted to do with the show. And creating a show like this - I could have sat with you in January and told you one plan that would have changed in February, that would have also changed in March. Is there any more to that you can describe at this point?įirst and foremost, this has been such a strange year. So, what better way to honor storytellers than to become storytellers and make everybody at home come into the room and be part of it? So when everyone at home watches the show, they just feel a little bit more connected, a little bit more into it, a little bit more part of the story. You can expect a really great celebration.
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Producers Steven Soderbergh, Jesse Collins, and Stacey Sher said the broadcast is going to be “like a movie and not like TV.” What does that mean? Let’s start off with the question everybody is asking you.
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Weiss - who won two Emmys for his past stewardship of the Oscars telecast but may be better known for proposing to his girlfriend on air during the 2018 Emmys - broke down for Vulture how a specific “ manifesto” from producer Steven Soderbergh aims for a “completely different take” on the ceremony, which “isn’t going to feel or look like any of the Oscar shows that you’ve seen.” And it’s not just because the proceedings will take place at Los Angeles’s Union Station in addition to the Dolby Theatre, where the Academy has hosted the awards since 2002, as well as 20 satellite locations around the world. Arriving after more than a year of pandemic chaos that has scrambled time-honored eligibility rules and forced the postponement of the Oscars from February 28 to April 25, the latest date since the show was first broadcast in 1953, such a pivot was initially shrugged off as just one more way the novel coronavirus has compelled Hollywood to stop playing by its own rules.īut to hear it from Glenn Weiss, who returns for his sixth time directing the Oscars broadcast this year, the show will significantly alter its M.O., making it, he says, unlike any Academy Awards to have come before. “Our plan is that this year’s Oscars will look like a movie, not like a television show,” the producers of the 93rd Academy Awards said in a statement. Last month, the announcement put the awards ecosystem - and those who love it, or are even peripherally aware of it - on notice that Hollywood’s annual celebration of cinematic excellence would not be business as usual.